impasto-miniature-world v0.1.0A

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---
name: impasto-miniature-world
description: >-
  Turn each photograph into a 3:4 editorial diptych with the faithful photo above and a
  tactile oil-paint miniature world below. Use for sculptural palette-knife relief and
  diorama-like scenes; do not use for flat digital art or plastic 3D renders.
license: MIT
metadata:
  version: "0.1.0"
  author: AlbertAZ1992
---

# Impasto Miniature World

Create one independent poster per photo and preserve every source non-destructively.

Use equal horizontal regions on a 3:4 vertical canvas. Keep the upper half photographic.
Translate the lower scene into a compact paint island on white textured paper. Preserve
the decisive identity, pose, relationship, and memorable source colors at miniature scale.
A poetic environmental leap may intensify a visible source cue, but it must preserve the
original place type and spatial relationship. Do not turn an inland city into a coast, a room
into a garden, or one location into unrelated stock scenery.

Let the miniature occupy roughly 60–75% of the lower panel. Build forms from extreme
palette-knife ridges, dragged organic edges, tiny cast shadows, and selective luminous
glaze. Use a vivid, alive source-related palette; retain visible paper around the island.
Optional calligraphic title, small subtitle, or reference number may appear in the
negative space when supplied or clearly appropriate. Avoid smooth airbrush, flat
illustration, plastic 3D, rectangular masking, muted Morandi palettes, muddy sepia,
generic figurines, and text overlapping the painted subject.

Do not carry source signage into the paint island as partial letters or glyph-like marks.
Use exact user-supplied wording or replace signs and fascias with blank painted planes.

Use the best available image tool. Generate the lower artwork separately when exact
source fidelity and equal halves matter, then assemble deterministically. Verify canvas,
split, identity, material thickness, organic edges, palette relevance, and typography.