impasto-miniature-world v0.1.0A

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---
name: impasto-miniature-world
description: >-
  Turn each photograph into a 3:4 editorial diptych with the faithful photo above and a
  tactile oil-paint miniature world below. Use for sculptural palette-knife relief and
  diorama-like scenes; do not use for flat digital art or plastic 3D renders.
metadata:
  version: "0.1.0"
  author: AlbertAZ1992
---

# Impasto Miniature World

Create one independent poster per photo and preserve every source non-destructively.

Use equal horizontal regions on a 3:4 vertical canvas. Keep the upper half photographic.
Translate the lower scene into a compact paint island on white textured paper. Preserve
the decisive identity, pose, relationship, and memorable source colors at miniature
scale, while allowing a poetic environmental leap: a skyline may become a coastal road,
a room may open into a garden, or a cloud may become luminous terrain. The transformation
must grow from a visible source cue rather than a stock fantasy backdrop.

Let the miniature occupy roughly 60–75% of the lower panel. Build forms from extreme
palette-knife ridges, dragged organic edges, tiny cast shadows, and selective luminous
glaze. Use a vivid, alive source-related palette; retain visible paper around the island.
Optional calligraphic title, small subtitle, or reference number may appear in the
negative space when supplied or clearly appropriate. Avoid smooth airbrush, flat
illustration, plastic 3D, rectangular masking, muted Morandi palettes, muddy sepia,
generic figurines, and text overlapping the painted subject.

Use the best available image tool. Generate the lower artwork separately when exact
source fidelity and equal halves matter, then assemble deterministically. Verify canvas,
split, identity, material thickness, organic edges, palette relevance, and typography.