git:20260811.66e9440 to git:20260825.cd5f782

---

ownerAgent: 79df9cc89f5f

name: frontend-design

description_zh: VideoStudio 的 HTML/动态图形审美层——在 stage-compose 写 manifest.art_direction 与 index.html 前，用主题世界、字体、配色、布局签名、动效克制和反模板检查，把普通可渲染页面提升为有明确视觉观点的视频画面。

description_en: Aesthetic direction for VideoStudio HTML and motion-graphics compositions. Use before stage-compose writes manifest.art_direction and index.html to choose a subject-specific visual point of view, type, palette, layout signature, restrained motion, and anti-template checks.

---

# frontend-design

Use this as the design-lead layer for VideoStudio COMPOSE work. It shapes `project/composition/composition-manifest.json::art_direction` and the model-authored HTML/SVG motion graphics in `index.html`.

This skill does not pick the video production line, replace `video-craft`, or relax Orkas renderer constraints. If there is a conflict, renderer determinism, safe zones, legibility, audio ownership, and user-approved creative direction win.

These references improve the initial generation. They do not create a new artifact, user gate, or approval step. Keep the art-direction pass internal and record only the decisions needed to make the manifest art direction executable.

## Design Thesis

Before writing HTML, choose a compact visual thesis:

- `subject_world`: the real materials, artifacts, interface metaphors, gestures, environment, or culture of the topic.

- `audience`: who must understand this at phone size and what they already know.

- `one_job`: what this video frame sequence must make clear.

- `tone`: one or two precise words that shape type, color, spacing, and motion.

- `signature_device`: one memorable visual move that belongs to this brief.

- `aesthetic_risk`: one justified choice that avoids generic output without hurting readability.

Keep the thesis specific. "Modern tech style" is not a thesis. "Battery-lab oscilloscope traces become the progress line" is.

## HyperFrames-style authoring discipline

This is a creative discipline, not a fixed renderer or template catalog. VideoStudio still uses model-authored HTML, but the model must author like a motion designer instead of jumping straight from storyboard text to scattered SVG nodes.

### Visual identity hard gate

Do not start `index.html` until the composition has a usable visual identity in `manifest.art_direction`:

- `aesthetic.subject_world`

- `aesthetic.one_job`

- `aesthetic.signature_device`

- `aesthetic.aesthetic_risk`

- `aesthetic.anti_template_check` (or legacy `anti_template`)

- `cover` with first-scene id, approved headline, two or more content signals, hero visual, composition strategy, and `frame_time_sec:0`

- role-based `typography_tokens`

- baseline `color_tokens`

- `visual_direction` with a design tradition, lazy-default rejections, video-scale rule, depth-layer rule, motion-verb rule, and rhythm pattern

- a scene-level plan with `hero_visual`, `depth_layers`, `opening_state`, and `resolved_state`

- for every concrete reference image or video, executable `references` + `reference_fidelity` contracts from `design-system-importer`, based on reproduce/edit/guide intent rather than origin

If the first concrete visual move is a generic grid, circles connected by lines, a centered title card, emoji-as-icon, or a web-dashboard layout, the visual identity is not ready. Revise the art direction first; do not compensate with more glows or animation.

### VisualDirectionV1

For non-trivial COMPOSE work, write a compact `visual_direction` object inside `manifest.art_direction`. It is the front-loaded aesthetic director for HTML authoring; it is not a template and not a user gate.

Required fields:

- `visual_tradition`: a real design tradition, designer, art movement, or cultural reference that controls composition behavior. Examples: `Swiss Pulse / Josef Müller-Brockmann precision grid`, `Data Drift / Refik Anadol data field`, `Velvet Standard / Vignelli restraint`, `Deconstructed / Neville Brody rupture`, `Maximalist Type / Paula Scher scale`. Avoid empty labels such as "modern tech", "premium", or "cinematic" by themselves.

- `composition_behavior`: how frames should be arranged and how the eye should travel: grid-locked data, research atlas, editorial archive, full-bleed object, kinetic type wall, product surface, map/flow, or diagram build.

- `lazy_defaults_rejected`: the first generic design move rejected and the brief-specific replacement. Question purple/blue neon gradients, black neon circles, centered equal-weight layouts, identical cards, decorative emoji/icons, tiny badges, default web dashboards, and pure black/white.

- `video_scale`: the scale floor for this canvas. For 1920x1080, default to headline 72-140px, body 28-42px, labels 18-26px, borders 2-4px, safe padding 60-140px, and decorative opacity 12-25%.

- `depth_layer_rule`: how every scene will maintain background atmosphere, midground content, and foreground accents/metadata with topic-derived materials.

- `motion_verb_rule`: the verbs primary elements are allowed to use. Every meaningful element needs a verb such as draws, locks, counts up, slams, drifts, fractures, reveals, or resolves.

- `typography_register`: the communication roles for display, body, data/label, caption, and any expressive font. Do not pair two similar sans-serifs; use extreme weight/scale contrast and video-readable type.

- `rhythm_pattern`: the scene rhythm before HTML, such as `hook-build-HOLD-surge-resolve`, `drift-build-PEAK-drift-resolve`, or `fast-fast-SLOW-fast-hold`.

Example:

```json

{

"visual_direction": {

"visual_tradition": "Swiss Pulse precision grid + Data Drift AI atmosphere",

"composition_behavior": "research atlas: huge years anchor a coordinate grid while model/paper fragments lock into position",

"lazy_defaults_rejected": "reject glowing circles on a thin timeline; replace with paper fragments, parameter contours, and data-field coordinates",

"video_scale": "1920x1080: headline 88-132px, body 30-38px, labels 20-26px, borders 2-4px, safe padding 96-140px, atmospheric opacity 12-22%",

"depth_layer_rule": "BG token field/grid/grain, MG timeline and model artifacts, FG large year + metadata ticks",

"motion_verb_rule": "timeline draws, years stamp, nodes lock, token fields drift, paper fragments slide/resolve",

"typography_register": "large tabular years as display voice, concise Chinese labels as body, monospace metadata for data",

"rhythm_pattern": "hook-build-HOLD-surge-resolve"

}

}

```

### Resolved frame before motion

For each scene, build the fully readable resolved frame first in static HTML/CSS/SVG. This is the frame where the scene's message, hierarchy, and hero visual are clearest.

Then add GSAP entrances and meaningful reveals from that static state. The resolved frame must be what renders at t=0: entrances animate FROM a visible state, never from `opacity: 0` — not on the scene, and not on the one element that carries its message. Every composition is frame-0 sampled — including each AUTO segment — so a scene that fades in captures blank and fails QA before anyone sees it. The CSS/SVG resolved layout is the source of truth; the timeline describes how the viewer arrives there. Do not design a scene by placing elements at their animated start state and hoping the tween lands in a good composition.

For every non-trivial scene, internally check before writing tweens:

- What is the one dominant visual object at the resolved frame?

- Does meaningful visual material occupy the safe canvas, or is it a small cluster in empty space?

- Which topic-derived background, midground hero, and foreground annotation layers are visible?

- What changes between opening and resolved state beyond a container fade?

- Which element carries continuity from the prior scene?

### Preview critique before draft

When the COMPOSE HTML Preview Gate is required, treat the contact sheet as the design checkpoint. If the preview shows a scene that looks like a low-effort slide, a generic diagram, or text labels substituting for the promised visual, repair the manifest art direction or affected HTML before moving to mp4 draft. This is a localized HTML-preview correction, not an open-ended final-video rerender loop.

## Avoid Template Gravity

Reject choices that could fit almost any brief:

- Purple/blue neon gradients, glass panels, generic bento cards, floating UI cards, decorative blobs, and stock SaaS dashboards unless the subject truly calls for them.

- Numbered markers, timelines, terminal windows, blueprint grids, or newspaper rules when the content is not actually sequential, technical, architectural, or editorial.

- A palette made from one hue family with lighter/darker variations only.

- Long labels in circles, tiny badges, dense microcopy, or walls of text doing the visual's job.

- Motion everywhere. Spend motion on the one thing the viewer must notice.

- Decorative emoji/icons as the primary graphic language. Use topic-specific SVG marks, diagrams, data forms, object silhouettes, or typographic systems instead unless the user explicitly asked for playful emoji language.

If the first design idea feels like a reusable demo template, revise the thesis before coding.

## HTML Aesthetic Floor

Treat the composition as designed video frames, not a web page inside a video canvas.

- Start from a frame grammar: full-bleed visual system, split focal/annotation, diagram build, editorial title wall, data mark, product surface, map/flow, or quote/argument. Pick one because it matches the brief, then vary it across scenes.

- Avoid default centered-card scenes, generic gradient backgrounds, floating bento panels, pill badges, and dashboard fragments unless the subject itself is an app/dashboard and the UI is the point.

- The first frame must be a composed thumbnail: readable promise, subject-specific visual signal, and no blank/slow intro. Never tween from `opacity: 0` at 0s — not the opening scene, and not any single element that carries its promise: the `data-role="title"`, the `data-cover-hero`, a declared signal. Hiding only the title still leaves frame 0 without the promise and returns `HOOK_PROMISE_NOT_VISIBLE`; the rule binds to the elements that carry the cover, not only to their container. Motion may begin at 0s, but the exact still frame at 0s must already say what the video is about.

- Treat that first frame as a dedicated cover design. It needs one dominant hero plus at least two visible content signals from the actual video; a generic branded/title treatment that could front an unrelated topic does not pass. Bind it to `art_direction.cover`, not only to an aesthetic paragraph. Mark the topic-specific dominant visual with `data-role="visual" data-cover-hero`; do not put that marker on a generic background or decorative accent. Native QA reads the declared signals off the visible frame-0 copy, so a signal you actually put on screen counts; add `data-cover-signal="<content_signals value>"` when the signal is carried by an element with no readable text of its own. Signals must say something the headline does not — a `content_signals` entry that only restates the headline is reported as `headline_only` and does not count. The headline itself may run across consecutive `data-role="title"` lines. Native QA reports rendered hooks and hero bounds as advisories, not blockers: design the cover to this standard because it is what makes the video open well, not because a checker will bounce you.

- Build every designed frame in three semantic depth layers: a topic-derived background field, a dominant midground message/diagram, and foreground accents or metadata. Do not add arbitrary decoration; every layer should reinforce subject, hierarchy, scale, direction, or continuity.

- Use video scale, not web scale: for 1920x1080, headlines usually need 72-140px, body/supporting text 28-42px, labels 18-26px, borders 2-4px, safe padding 60-140px, and atmospheric decoratives 12-25% opacity. Anything under 24px or under 10% opacity needs a reason.

- Use a visible hierarchy system: one dominant focal element, one supporting focal/text zone, and optional labels. A designed explainer's meaningful visual material should usually occupy most of the safe canvas rather than clustering in one corner. If a scene needs more than two text zones, split the beat or convert detail into a diagram.

- Give every scene an `opening_state`, `explanation_state`, and `resolved_state`. The resolved state must be visibly more informative than the opening state, and the viewer should get a clean hold before the next scene.

- Give every meaningful element a motion verb before writing GSAP. If the author cannot say whether a path draws, a year stamps, a number counts up, a card locks, or a texture drifts, the element is not yet designed.

- Carry one subject-specific visual object across scene boundaries when the story benefits from continuity: a signal, path, document fragment, product surface, token stream, map route, or data mark. Transform it instead of resetting every scene to a fresh title slide.

- Prefer custom SVG marks for the signature device: paths, meters, grids, maps, traces, connectors, data shapes, or object silhouettes. Do not rely on rows of identical cards to create visual interest.

- For product or brand work, make the product/brand signal large in the first viewport/frame. Do not hide it as a tiny nav/logo equivalent.

- Use texture, depth, and color sparingly but deliberately. A good frame should still read in grayscale; accent colors should explain hierarchy, data meaning, brand, or transition state.

- Add semantic hooks in HTML: `data-scene-id` on each scene root and `data-role="title|body|label|caption|visual"` on important elements. Native QA uses them to attach findings to a scene and role; missing hooks remain advisory and should not trigger a rerender by themselves.

## Manifest Art-direction Fields

Add an `aesthetic` object under `art_direction` in `project/composition/composition-manifest.json`:

```json

{

"art_direction": {

"aesthetic": {

"subject_world": "what the visual language borrows from",

"audience": "who it is for",

"one_job": "the frame sequence's job",

"tone": ["precise", "brief"],

"signature_device": "one remembered visual behavior",

"aesthetic_risk": "the deliberate non-default choice",

"anti_template_check": "what was rejected as too generic"

}

}

}

```

The rest of `manifest.art_direction` must make the thesis executable:

- `visual_direction`: the `VisualDirectionV1` object: design tradition, composition behavior, rejected lazy defaults, video scale, depth-layer rule, motion-verb rule, typography register, and rhythm pattern.

- `cover`: the frame-0 communication contract: first canonical `scene_id`, approved `headline`, concrete `content_signals`, `hero_visual`, thumbnail `composition_strategy`, and `frame_time_sec:0`.

- `references` + `reference_fidelity`: when concrete media exists, its image/video type, reproduce/edit/guide intent, user/inferred intent basis, roles, local path, preserve/may-change axes, target scenes, layout/temporal anchors, and scored verification floor supplied by `design-system-importer`. Explicit user constraints override inferred defaults.

- `provenance`: keep visual-source records under `art_direction.provenance`. For authored visuals, set `art_direction.provenance.visuals` to `self-authored HTML/CSS/SVG`; never put provenance at the manifest root. Any external replacement asset must record its source and license here.

- `typography_tokens`: role-based, not just sizes. Include display, body, data/label, and caption roles when needed.

- `color_tokens`: named baseline values with rationale. Include neutrals, primary accent, and any purposeful supporting accents needed for brand, hierarchy, data meaning, or scene variation.

- `layout_boxes`: describe visual hierarchy, not only coordinates. Name the focal zone, supporting zone, depth layers, and intended meaningful canvas coverage.

- `motion_budget`: state what carries meaning, what stays still, and how each transition maps to the story.

- `scene_variation`: prevent three near-identical card/title scenes in a row.

- Each designed `art_direction.scenes[]` entry should compactly name `id`, `scene_world`, `hero_visual`, `composition`, `depth_layers`, `motion_verbs`, `opening_state`, `resolved_state`, `continuity_in`, `continuity_out`, and any `primitive_refs` selected from the generation references. Keep these fields inside the canonical manifest; do not create another planning artifact.

## HTML Direction

When writing `index.html`:

- Derive the main CSS variables from `manifest.art_direction`; keep extra chromatic colors intentional and named enough to audit. Do not flatten the design or recolor the whole video only to reduce a static palette count.

- Let one element carry personality: a custom progress line, typographic reveal, diagram grammar, texture, data mark, or transition family. Keep surrounding elements quiet.

- Use type as design material: contrast display/body roles, make title/body hierarchy unmistakable, and keep labels large enough for the video-craft floor.

- Preserve the authored casing of approved English copy. Use sentence case or natural title case for titles and sentence case for body copy, captions, subtitles, and CTAs. Existing all caps may remain only when that exact casing appears in approved user copy or an external brand/source, and then only for one short metadata label, eyebrow, acronym, or code. A model-authored art direction, design tradition, typography register, or generic tech/editorial mood is never permission to convert copy to all caps. Never apply `text-transform: uppercase` through a broad selector or use all caps for multi-line copy; if a title, body, caption, subtitle, or CTA is all caps, or two English text roles in one scene read as all caps, restore the approved casing and revise the hierarchy with family, width, weight, scale, color, or spacing instead. Casing findings are advisory and never block a preview — except changing the casing of copy the user approved, which is a signed-intent violation and does block.

- Do not default every composition to Arial/Helvetica with only size changes. Use available local or deterministic system font stacks deliberately, create contrast through family, width, weight, scale, color, spacing, or tracking while preserving approved casing, and vendor any required font inside `assets/`; never fetch a remote font at render time.

- Use structural marks only when they encode meaning: steps for sequences, coordinates for maps, ticks for time, nodes for relationships, brackets for comparison.

- Prefer SVG for diagrams, paths, meters, masks, charts, and signature geometry; keep prose and captions as real HTML text.

- Default to SVG/static held states first. Use GSAP only when a timed reveal, transition, or emphasis genuinely improves comprehension; animate SVG groups or a few containers instead of many HTML cards.

- For vertical video, design for platform UI: keep essential text away from the bottom action area and make the first frame readable as a thumbnail.

- Respect `prefers-reduced-motion` in CSS where practical, but drive render-critical animation through the paused GSAP timeline.

## Build Loop

1. Draft the thesis, dedicated cover, any concrete reference-fidelity contract, and the rest of `manifest.art_direction`.

2. Self-critique the art direction: name the most generic choice and replace it.

3. Run the internal pre-code art-direction pass: choose `VisualDirectionV1`, scene grammar, hero visual, three depth layers, motion verbs, typography register, rhythm pattern, opening/resolved states, and cross-scene continuity. Keep it inside the generation turn; no new user confirmation.

4. Write HTML/SVG from the manifest art direction using adapted visual primitives and worked examples as references, not fixed templates.

5. Run the draft QA command. If `draft_disposition.blocking_error_count` or structural/video/audio QA fails, repair `manifest.art_direction` or the canonical scene structure first; do not only nudge CSS numbers. Missing preview-required art direction is a blocking manifest error, not a cosmetic note: complete the aesthetic thesis, dedicated cover, VisualDirectionV1, motion budget, scene variation budget, per-scene depth layers, and per-scene motion verbs before preview or draft. Treat visual/readability findings as draft notes unless they make the approved message unreadable. Low-cost native warnings for contrast, safe area, density, repeated layout, or palette narrowness are feedback for the next localized edit; they do not by themselves justify expensive rerender loops.

6. For preview, judge the returned keyframe contact sheet rather than only frame 0. Score whether frame 0 communicates the actual video as a cover. When reference images exist, compare spatial anchors and declared axes side-by-side. When reference videos exist, compare the declared source time ranges against their target scene frames and motion/timing intent. Score the requested reproduce/edit/guide outcome, never the reference's origin. After a rendered draft, use `design_review_inputs` plus the first frame, scene mids, and payoff frame for: clear focal point, subject-specific visual language, readable type, reference fidelity, and motion with purpose.

## Output Standard

When reporting a COMPOSE draft or blocker, include the short design direction used: thesis, signature device, and any inspect/craft issue that forced a design change.