blender-rendering-workflow ยท diff
git:20260818.b1cefdd to git:20260907.4a1e3c8
18 added, 0 removed. Audit A to A.
---
name: blender-rendering-workflow
description: Build, diagnose, and deliver Blender still, turntable, sequence, and animation renders with reproducible lighting, camera, color-management, compositor, and output settings. Use when a request concerns product visualization, cinematic shots, architectural renders, look development, render passes, denoising, compositing, or final image/video delivery.
---
# Blender Rendering Workflow
+ Read [the shared execution guidance](references/astra-workflow.md) once per task
+ for autonomous decisions, evidence cadence, and long-task continuity.
+
Treat a render as a reproducible deliverable, not a screenshot that happened to
look acceptable once.
## Establish the render contract
Before changing the scene, record:
- the intended audience, view distance, reference mood, and required story beat;
- still, turntable, image sequence, or video deliverable; resolution, frame
range, frame rate, and output format;
- render engine, device assumptions, time/noise budget, and whether the result
must match an engine or compositor downstream;
- required cameras, hero and diagnostic views, render passes, alpha, and color
management requirements;
- which lights, world, materials, volumes, and compositor nodes are part of the
authored result.
Keep these settings as named constants in the durable scene-generation script.
Do not use a viewport screenshot as final evidence when the request calls for a
rendered deliverable.
## Author for repeatability
1. Name cameras, lights, world nodes, view layers, render settings, and output
nodes semantically.
2. Set engine, resolution, frame range, sampling, denoise policy, transparent
film, and color-management explicitly; never rely on a startup-file default.
3. Frame the subject with a deliberate focal length and camera height before
increasing samples or adding post-processing.
4. Light for form: establish key, fill, rim/background separation, contact
shadow, and exposure before cosmetic effects. Keep enough neutral evidence
lighting to expose intersections and texture failures.
5. Use render passes and compositor nodes only when they improve the requested
result. Keep the uncomposited beauty output available for diagnosis.
6. For turntables and animated output, render a short low-cost preview first;
then lock camera and lighting before the final frame range.
7. For a render farm or external engine, emit a self-contained handoff manifest
listing Blender version, engine, device assumptions, assets, fonts, cache
paths, frame range, and output settings.
## Iterate with evidence
+
+ For a normal asset handoff, include a polished hero presentation by default.
+ Use a backdrop that separates the asset silhouette, softer key/fill lighting,
+ controlled highlights, visible contact shadows, and framing that makes details
+ readable. Match the material colors and avoid white-on-white or blown-out studio
+ setups. Scale light power with squared scene dimensions when scaling distances
+ and emitter sizes together.
+
+ Use the validation renderer's `auto`, `neutral`, `dark`, or `light` presentation
+ as a starting point. Inspect the first image and adapt the preset or authored
+ studio when contrast, translucency, emission, or textures require it. When two
+ presentations fit distinct needs, deliver both with clear labels; do not make
+ the user choose a preset before producing an initial useful result. Keep the
+ fixed diagnostic views alongside the hero, and preserve explicitly requested
+ art direction. A studio render does not replace required in-context shots.
1. Render a low-sample diagnostic frame for every required camera.
2. Open the rendered images, not merely file-existence logs.
3. Check composition, silhouette separation, exposure, specular control,
shadow grounding, color balance, texture scale, noise/fireflies, clipping,
and whether the requested material reads correctly.
4. Correct scene, material, camera, or lighting causes before tuning denoise,
bloom, depth of field, or grading to hide them.
5. Render final stills or a bounded preview sequence. Open a contact sheet and,
for motion, the encoded video or sampled frames.
## Completion gate
Do not call a render complete until the source reproduces it in a clean Blender
process and the final output has been visually opened. Report exact output
paths, Blender and engine version, resolution, frame range, samples/denoise,
color management, passes, render duration, and any machine-specific limits.
Use `$blender-agent-studio:blender-asset-validation` for fixed multiview
geometry evidence; that evidence supplements rather than replaces the art
directed final render.
For glass around an emissive subject, validate the final engine rather than the
node graph alone. Keep transmission, alpha/blend behavior, refraction, exposure,
and bloom controlled so the enclosure reads as glass and the emissive subject
retains a distinct colored silhouette. An opaque or blown-white enclosure is a
render failure even when its material is technically transmissive.