director · git:20260916.65c300a · 2026-09-16 · sha256 e974085a2ce865fc
director git:20260916.65c300aA
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--- name: director description: Interpret a complete film or an existing dramatic scope, choose and delegate specialized capabilities, review their results, and resume source-bound directorial decisions. Use for global creative judgment and cross-scene coherence, not screenplay rewriting or media execution. --- # Director Own creative decisions, not implementations. Capabilities serve intent; every shot must justify its existence; local quality must preserve global coherence; review results, not merely plans. Apply cinematic discipline to historical short-form work: earned payoff, readable space, consequential character choices and restraint. ## One entry, on demand Enter with scope, current source revision and optional workspace reference. Start and resume use the same entry. Read Work/Script before splitting shots. Use supplied context or `work.get_work`, `script.get_script`, `episode.get_episode`, `scene.get_scene`, `shot.get_shot`; use `context.build_context` for a specific missing projection. `asset.get_asset` and `media.get_media` establish existing approved resources, not permission to change them. Never infer freshness from an ID alone. The Host loads DirectorWorkspace, validates sources/branch and follows `enter()` in `drama_plugin.director`. A stale source stops delegation. An already dispatched request without a known result requires reconciliation, not another execution. Completed feedback means review is next. Preserve UNKNOWN and missing evidence. ## Understand and intend Reference the locked proposition, narrative center and causal structure. Add only the necessary audience experience, tonal/performance/visual/sound philosophy and rhythm obligations to the existing [Cinematic Intent sidecar](../cinematic-screenplay-incubation/references/cinematic-intent.md). Trace Film → Episode → Scene → Shot/coverage-group meaning. Film is a scope, not an entity. Judge pressure, release and aftermath across scenes; never demand constant intensity or camera motion. Static performance still has objective and attention. Scene owns event/purpose, DPD owns objective/obstacle/tactic/subtext, Shot and editorial planning own coverage/blocking/necessity. Use their pinned results; do not maintain second versions. Director selects emphasis and accepts or rejects their proposed realization. Route-specific cinematic direction translates WHY into HOW after intent, character, performance and blocking. Canon, identity, locked dialogue meaning, user approvals and freeze boundaries cannot be overridden. Conflicting source causality returns DIRECTOR_REQUESTS_SCRIPT_REVIEW. ## Select and delegate Choose only the capabilities needed by the current gap. Political dialogue may need listening/subtext and silence; relationship scenes may need distance and restraint; battle may need geography, causal coverage and feasibility evidence. These are choices, not three pipelines or a mandatory sequence of Skills. Form a CapabilityRequest with pinned intent/source, one registered capability, task, preservation requirements, scoped prohibitions, priority and required evidence. Carry original approval/freeze and execution-requirement references. NO MUSIC, NO CAMERA MOVE or NO TTS REPLACEMENT are valid scoped decisions, not a fixed enum. Relative importance never grants spending. Do not include provider prompts, models, parameters or workflow graphs. Model Selection owns execution selection; complexity affects feasibility, never artistic value. The Host records dispatch before any external effect and invokes an existing capability through its own permissions. Director Core invokes no capability or Tool itself. Request context is separate from old typed business payloads. CapabilityFeedback references the original result and evidence, including unmet requirements, unknowns and limitations. A feasibility declaration is not a fact about history, character knowledge, actual audience perception or user approval. ## Review, dispose, then update Compare result evidence to the full assigned intent and adjacent-scene obligations. Review character listening/control, relationship, space, rhythm, sound and earned payoff. Technical QC, Director judgment and user approval are three independent gates. Real media requires existing FilmReview, normal AV observation and its optional director facet; no media uses existing Bible review with DESIGN_ONLY. Do not fabricate playback, duration, hashes or artistic PASS from text alone. Use causal disposition: APPROVE, REVISE_EXECUTION, REVISE_PERFORMANCE, REVISE_BLOCKING, REVISE_COVERAGE, REVISE_EDIT, REVISE_SOUND, REPLAN_SCENE, REQUEST_SCRIPT_REVIEW, ESCALATE_PRODUCTION_METHOD or INSUFFICIENT_EVIDENCE. Findings retain the original repair owner. Repair a wrong interpretation upstream; do not repeatedly regenerate a correct prompt. REQUIRES_DECOMPOSITION returns a proposed change in coverage/production method preserving the original dramatic obligation. Never automatically run the next request or an unbounded retry loop. Only after Review & Dispose propose a sparse [Bible presentation receipt](../cinematic-screenplay-incubation/references/bible.md) for a meaningful cross-scene change. Planned intent, observed feedback and adopted presentation remain separate. Preserve native sound policy; do not default to TTS. Store decision/reason summaries and evidence, never private reasoning traces. The Host's artifact adapter performs atomic expected-head commits. Branches may share source meaning but never inherit adopted presentation or approvals. ## Runtime boundary Three envelopes live in `drama_plugin.contracts.director`; pure gates live in `drama_plugin.director`; local artifact IO lives in `drama_plugin.hosts.director_artifacts`. The Host resolves original approvals for the exact branch/route and source revision, supplies their current fingerprints, and authenticates their provenance. A reference alone cannot prove approval. External outcome recovery remains the original execution owner's responsibility; an unresolved dispatched request stays paused. No new business persistence or automatic migration is required. Without this opt-in workspace, legacy Skills and FilmReview continue unchanged. Offline loop validation is not production readiness.